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Posts Tagged ‘live’

Steal The Breeze

Tuesday, December 1st, 2009

Steal The Breeze is a band out of Montgomery County, PA that creates jam band music influenced by psychedelic and progressive rock.

The band has unveiled a new website at StealTheBreeze.com.

Maroon 5

Wednesday, November 11th, 2009

Blacksburg, VA — I guess you could say I was surprised by Maroon 5’s performance last night (11/10/09). At the same time, it was more or less what I expected. Never before have my feelings towards a band changed so many times in one concert. I went to the show with an open mind, ready to get past the female obsessive boy-band stereotype… if they could prove themselves. This was especially true because my father had seen them at Live 8 a few years ago and said they were actually pretty good.

Their first songs were pure bad-assness. The lead singer, Adam Levine, had tattoos on his arms and was making sexually crude jokes most of the time. They topped off the middle of their set with a two minute long epic drum solo. While the drummer, Ryan Dusick, wailed away the band took a knee and watched as he left the audience in awe. I’ve seen my fair share of awesome drum solos done by great drummers (ex: Travis Barker and Mike Portnoy) and this was on par with their work. While he didn’t lift off the stage in a godlike manor, or have a multi-kit drum set, he did an impressive job.

Unfortunately, the solo left Dursick tired. So, while he was backstage recuperating, the band did some of their songs acoustically. Admittedly, I’m not the biggest fan of acoustical guitar songs. Regardless, this is the scheduled intermission in their set, a point made obvious when they started to cover Alisha Keys’ Beautiful. My ears bled for the duration of the song and left me distracted for the remainder of the acoustical songs.

Fortunately, they were able to redeem themselves. Following the acoustical portion of the show, Levine brought up a female audience member to give her his stool (stage prop). When she sat down on the stool, he proceeded to offer her a lap dance. The crowd was roaring with laughter. After singing to her, he gave her a kiss on the cheek which drew an, “Aww,” from the audience.

There were probably two or three girls for every boy which actually surprised me. I thought there would be way less guys at the show. That didn’t stop the girls from creating an ear shattering wail when they were begging for an encore. My ears received more damage in those three minutes between the original set and the encore than they have from all the concerts I’ve ever been to. Considering how often I’ve been standing in front of the speakers at those concerts, that is an impressive feet. I actually had to cover my ears it was so intolerable.

Of course, the band came back out. What I found unusual was that they only performed one song. Granted it was a long and impressive song. The outro sequence was intense and left a great last impression on me.
For a guy looking for rocking songs I’d have to recommend another band, as a general statement. My recommendation would be to download select songs (particularly not the Alisha Keys cover.) The live versions of the song have more solos and are all around more focused on the rock aspect of music where the album version’s will focus more on the romantic hip-hop aspect.

Maroon 5 Setlist And Pictures

Playing For Change

Thursday, November 5th, 2009

Kewick Theater, Glenside, PA — Playing For Change performed a concert to an enthusiastic crowd at the Keswick Theater. The concept was created by producer and sound engineer Mark Johnson, a Philadelphia native, whose parents were in attendance.

“Playing for Change is a multimedia movement created to inspire, connect, and bring peace to the world through music. The idea for this project arose from a common belief that music has the power to break down boundaries and overcome distances between people. No matter whether people come from different geographic, political, economic, spiritual or ideological backgrounds, music has the universal power to transcend and unite us as one human race. And with this truth firmly fixed in our minds, we set out to share it with the world.”

The project was started in 2004. In 2005, they approached a New Orleans musician, Grandpa Eliott, to record his version of “Stand By Me”. Then, other musicians from around the world were asked to add tracks to the recording. It became an Internet and YouTube hit. Of course, this was the song most of the audience was waiting for, and it did not disappoint. The entire crowd was dancing in the aisles. However, the song that was even more moving was the cover of the Four Non Blondes, “What’s Up”.

“And I try, oh my God do I try
I try all the time
in this institution
And I pray, oh my God do I pray
I pray every single day
for a revolution”

Playing For Change Videos

Them Crooked Vultures

Friday, October 23rd, 2009

Philadelphia, PA — Them Crooked Vultures recently played a sold out performance at the Electric Factory. The live show is powerful and intriguing.

The band consists of Foo Fighters’ Dave Grohl, Queens Of The Stone Age’s Josh Homme and Led Zepplin’s John Paul Jones.

The first album’s tracklist:
1. No One Loves Me & Neither Do I
2. Mind Eraser, No Chaser
3. New Fang
4. Dead End Friends
5. Elephants
6. Scumbag Blues
7. Bandoliers
8. Reptiles
9. Interlude With Ludes
10. Warsaw or The First Breath You Take After You Give Up
11. Caligulove
12. Gunman
13. Spinning In Daffodils


New Fang Live

Philadelphia Spectrum: Last Call Concert

Thursday, October 22nd, 2009

Philadelphia, PA — One of the largest concert venues, The Spectrum, is slated for demolition. Before it goes, there have been a few final concerts to celebrate its history (including Bruce Springsteen and Pearl Jam.)

Friday, October, 23, was the “Last Call” concert featuring Philadelphia bands, Daryl Hall and John Oates with special guests the Hooters and Todd Rundgren.

Tickets were available starting at $4.00.

Spectrum-Ticket

Steal The Breeze

Sunday, October 18th, 2009

Montgomery County, PA — Steal The Breeze will be performing two dates.

Oct. 24, 10PM: Reeds in Center Square at Routes 73 and 202
Oct: 30, 7PM: Spring Mountain Haunted Adventures

Blink 182 Setlist

Wednesday, October 7th, 2009

Charlotte, NC

Dumpweed
Feeling This
The Rock Show
What’s My Age Again?
Obvious
I Miss You
Stay Together For The Kids
Down
Always
Stockholm Syndrome
First Date
Man Overboard
Don’t Leave Me
Not Now
All The Small Things
Reckless Abandon
Josie
Anthem Part Two

Encore:
Drum Solo
Carousel
Dammit

Soja At Virginia Polytechnic Institutes’s Gobblerfest

Monday, August 31st, 2009

by Mudman

Blacksburg, VA — Sometimes, a band totally flops.  The artists are not into the concert, and consequently, neither are the fans.  These shows can be painful to sit through no matter how much you love the band.  On the other hand, sometimes you see a band that is totally into the show. Their passion fuels the audience.  Then, the audience’s enthusiasm enrages the bands desire. Suddenly, you have the type of concert that you will remember forever:

August 28th, 2009, Soja performs for Virginia Polytechnic Institutes’s Gobblerfest.  It was one of the more epic shows that I have ever seen, and one of the only where I lost my hearing from the audience’s cheers rather than the blaring speakers (which in this case were cranked up to 11).  Soja is a reggae/rock band which has recently started to get some attention.  This was my first time hearing their music. The first thing I did following the concert was run out to but two CD’s.  There is something about the way these seven people carried themselves that just created an out-of-this-world stage presence (trumpet, sax, bass, drums, bongos, guitar, lead singer). By far, the highlight of the concert was “Can’t Tell Me”.  Listening to the lead singer lilt, “You can’t tell me who I am. Cause I’m working on that to,” made my night. They have a very unique sound comparable, only slightly, to the Expendables. I give them an 8 out of 10… they blew me away for an up-and-coming band.

Collective Soul Live At Philadelphia’s TLA

Tuesday, August 25th, 2009

Philadelphia, PA — Collective Soul brought their tour to the Theater Of The Living Arts (TLA) in Center City Philly. For those who have not been, South Street is a world unto its own. Make sure you visit in this lifetime and if you can see a concert it’s an extra bonus.

There are not that many bands that I want to see, yet have not seen. Collective Soul was one of those bands. I am not sure why it never worked out. After I fell in love with “Shine”, they were a band I longed to see on stage. Then, the years past, and I figured it was too late. Even if they came around, they would probably be past their prime?

As destiny would have it, I saw they were playing at a local venue. The beauty of it was they were playing at a small theater. Maybe their decline in popularity would work to my benefit? Wait! Not so fast. I refresh the webpage on my web browser, and it says the show is sold out. What? So, I call the box office. Yes. They tell me the show is sold out. Dag-nab-it! I can not accept this situation and drive down to see with my own two eyes. Indeed, it is sold out. There are a couple guys from 93.3 WMMR there doing a promo. Why not ask them if they can get me a ticket? No dice. How about a scalper? No tickets to be found. While I am standing by the line to get in, a fellow comes over and asks if it is the line for Collective Soul. After verifying that it was, I ask if he might have an extra ticket. YeeHa! He does… but, at what price? Ahhhh… he tells me a reasonable price. He had been stuck with an extra ticket by a friend who backed out. Perfect!

I explained that I was a writer and had wanted to review the show. He was an avid fan and told me how good of a show they put on. I explained how sometimes I interview bands, sometimes I review bands, and sometimes I do not write anything. He said, “because there is nothing to write.” Exactly. Nevertheless, he peeked my interest in how the show would rate. The adrenaline was pumped, now. First, I thought I was going home in disappointment. Next, I was thrilled at getting a pass through the door. Plus, I met a father and son that were just as excited to see the show.

It was with much pleasure that the “warm-up” band turned me on with an instant music fix. Black Stone Cherry rocked the house. Black Stone Cherry rocked my world. (See the
Black Stone Cherry Review and Photo Gallery)

Luckily, the next band, Safety Suit, was not that hot. If they were, I do not know how Collective Soul could have followed them.

When Collective Soul took the stage, the crowd was primed and pumped. It seemed fitting that they started off with “Welcome All Again”. They played a couple more new songs in the middle of the set. Before “You”, Ed Roland related that it was the first song they ever wrote as a band. There was quite a bit of interaction and audience participation throughout the show. Introducing “Gel”, Ed shared that he and his brother/guitarist Dean were the sons of a preacher. “Gel” is about what they grew up with on Sunday mornings:

Color me any color.
Speak to me in tongues and share.
Tell me how you’d love to hate me.
Tell me how you’d love to care.
Well I just want to shake us up.

Let’s mingle
And make it well.
Come together now.
Yeah let’s gel.

All in all, the lights, the sound, the audience, the songs and the band added up to a spectacular performance. On the way out the door, the fellow who had sold me the ticket caught up to me and said, “Write something good.” I replied, “Oh, yeah. I will.” For this was one show worth writing about. Make sure they are not always one of those bands you wished you had seen!

THE BAND
Ed Roland – vocals, rhythm guitar, keyboards
Dean Roland – rhythm guitar, vocals
Will Turpin – bass guitar, vocals
Joel Kosche – lead guitar
Cheney Brannon – drums, percussion

THE SETLIST
Welcome All Again
Heavy
Listen
Tremble
Why Part 2
Needs
Dig
You
December
Shine
Hollywood
World I Know
Anymore Friends
Gel
Better Now

ENCORE
Staring Down
River Flows
Run


Collective Soul Concert Photo Gallery

Jason Mraz Live At Festival Pier, Philadephia

Monday, August 10th, 2009

Philadelphia, PA — Jason Marz played an upbeat and energy filled show to a sold-out crowd at Festival Pier in Penn’s Landing. It turned out to be a beautiful evening with the sun setting behind the stage. At any given moment, you could look to the audience and see everyone dancing and swaying to the music.

Setlist
The Sunshine Song
Traveler
Make It Mine
Coyotes
Anything You Want
Curbside
Man Gave Names To Animals
Live High
Reggaedy / The Remedy
The Dynamo Of Volition
Beautiful Mess
I’m Yours

Encore Part I
Audible Band
Lucky with Alysse Fisher
Audible Duo / Geek In The Pink

Encore Part II
Cop Chase
Fall Through Glass with Bushwalla
Butterfly

The crowd seemed pleased with the song selection knowing all the lyrics and singing with great volume. “The Remedy” was a highlight of the show as it was transformed into a reggae dancefest (retitled Reggaedy); however, the best part was the first encore. Since it was a general admission show, the massive crowd was pushed up against the stage. After the last song of the set, Jason and three other members of his band came out to the sound mixing tent and set-up facing the rear of the audience. There they played three real groove based songs — percussion, a bass box, bass and Jason on guitar. The vocals and backing vocals were wonderful and clear. For the song “Lucky”, they brought out Alysse Fisher to sing the duet. “Geek In The Pink” left Jason alone on stage with Noel “Toca” Rivera on percussion.

You could not ask for anything more pleasing than to be able to fill your senses with this intimate climax.

Jason Mraz Photo Gallery