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Lemonheads Sue GM

Saturday, June 6th, 2009

The frontman for the band The Lemonheads, Evan Dando, is sueing GM and their ad agency Asche & Spencer Music, Inc. Dando claims GM violated his copyrights by using the song “It’s a Shame About Ray” in a 2008 advertising campaign.

“The Lemonheads are an American alternative rock band, formed in 1986 by singer/guitarist Evan Dando, who has been the only constant member.

The Lemonheads’ popularity grew in 1992 with the album It’s a Shame about Ray which was produced, engineered, and mixed by The Robb Brothers (Bruce Robb, Dee, and Joe), followed by a cover of Simon and Garfunkel’s “Mrs. Robinson”, which eventually became one of the band’s most successful singles to date. ”
– Wikipedia

Cage The Elephant

Wednesday, April 29th, 2009

West Chester, PA — Note: The Note is a music venue. The Note is giving bands a great place to perform in the most difficult of economic times. Not only that, they also offer an “all ages” concert experience. More often than not when an up-and-coming band goes on the road, they can only find stages in front of “over 21″ crowds. The Note allows youth a chance to see artists they usually don’t get an opportunity to view live.

Courage Pills
The opening act, Courage Pills, is a local band that is growing in skill and popularity. The five-piece band is able to muster up a solid punk rock sound that evolves into an almost progressive groove. The lead guitarist pulls off some mean solos, as well as, fusing with keyboards to create a full sound.

Cage The Elephant at the Note, West Chester, PA

Cage The Elephant at the Note, West Chester, PA

Cage The Elephant
Cage The Elephant aptly describes the live performance of the band (kind-of like a bull in a china shop.) Their roots are in Bowling Green, Kentucky. Throughout most of their songs, you get that swampy blues and rockabilly inspiration. Surprisingly, their fan base isn’t home grown. For the past year, they have been at the forefront of a British invasion. After signing with EMI and releasing an album, they’ve returned to the states for a tour.

Brothers, Matt and Brad Shultz, handle lead vocals and guitar. Both Matt and Brad perform in a frenzied state that is reminiscent of a snake handling, tongue speaking religious revelation.

The band plays as a cohesive unit. When queried about songwriting, copyrights and publishing, Matt said, “We all work together on the songs and share the credits.” For many years, artists had to give up their publishing rights and ability to create outside of their recording contracts. Matt went on to say, “We’ve kept complete control over our music and can do whatever we want.”

Lead guitarist, Lincoln Parish, actually looks more like Matt’s brother than Brad. Lincoln has the ability to add a lot of the retro embellishments. Whether it’s a bluesy slide or a James Brown funk, he sucks you in with a catchy hook.

Coming out from behind the long hair covering his face, bassist Daniel Tichenor says he is shy. Perhaps, but he is actually quite personable. After admitting to stealing his setlist from the stage during the performance, he said, “That’s O.K. We’re pretty tight with the music and know where we are going.”

All members admitted that getting signed to a record deal and receiving a substantial radio airplay has not resulted in instant fame and fortune. “That doesn’t matter. It’s about the music,” said Matt.

And, so is the state of the music business — no plush hotel suite with penthouse windows for throwing TVs out. They had to hurry on their way. After sleeping on the tour bus, they had an eight AM radio interview. Not even able to remember what city their dawn interview was taking place in, they did know there was no rest for the wicked. Asked if he was going to have to play live on the radio, Brad’s face took on the yawning, sleepy, closed eye look as he started playing air guitar.

Following the morning appointment, they had to get back on the bus and head for their evening show in Washington, D.C. “I still ain’t got no money,” said Daniel.

Setlist

  • Dr. Dr. Dr.
  • Tiny Little Robots
  • Lotus
  • Monkey Song
  • Back Against The Wall
  • Back Stabbing Betty
  • In One Ear
  • Ain’t No Rest For The Wicked
  • Aberdeen
  • Japanese Buffalo
  • Judas
  • James Brown
  • Free Love
  • Sabor Tooth Tiger

Phil Spector Convicted Of Murder

Wednesday, April 15th, 2009

LOS ANGELES — One of the most influential music producers and engineers, Phil Spector, was found guilty of second-degree murder. In his first trial, the jurors could not reach a verdict. The second trial ended with a guilty verdict and now Phil faces 18 years to life when he is sentenced in May.

Phil is the originator of the “Wall of Sound”. The Wall of Sound is a recording method in which the artist is stands in front of a huge stack of speakers. In the 1960’s he pioneered the “girl group” sound. Throughout his career he worked with acts, such as, The Ronettes, The Crystals, Darlene Love, The Righteous Brothers, John Lennon, Ike and Tina Turner, George Harrison, The Ramones and The Beatles. His hit songs included “You’ve Lost That Lovin’ Feelin’”, “Unchained Melody”, “Imagine” and “Let It Be”.

Combat Vet Gives Voice to Military Musicians

Friday, April 3rd, 2009

By Sara Moore
American Forces Press Service

WASHINGTON – Music is considered by many to be a universal language, and for some military veterans, it is the only language that allows them to describe their experiences in combat and their struggles afterward.

Military musicians normally would struggle to have their voices heard in the cutthroat music industry, but a fellow veteran has given them a chance to get their music released and in the hands of fans worldwide.

Army Capt. Sean Gilfillan, a reservist who served four years on active duty and a tour in Iraq, started To the Fallen Records in 2006. The record label, which takes its name from a tattoo Gilfillan bears to commemorate fellow servicemembers who died in combat, signs only musicians who are military members or veterans.

Gilfillan said he was inspired to start To the Fallen by the many musicians he met during his time on active duty, and the powerful message their songs had. After he left active duty, he met his wife, and seeing how interested she was in the music made him realize it might appeal to a larger audience, he said.

“It’s so emotional,” he said. “It’s so personal, and we don’t see this stuff on TV or on the radio. Unfortunately, we only hear about the attacks and how many people are killed and when bad things happen.”

The couple started the record label to bring music from servicemembers to the civilian world and to bridge the gap of understanding about military life and combat.

“If civilians hear military music, they might understand. They’re never going to be in those shoes, but they can at least empathize and understand what three tours really does to someone, to someone’s family,” Gilfillan said. “Not only that, but war … what happens during war, during patrols, and what it takes to actually psyche yourself up to go out to war, and the struggles when you come home with [post-traumatic stress disorder], with relationships, and how every normal everyday struggle is made more difficult by you being away for so long.”

Since its inception, the record label has grown into a platform to showcase all military musicians, even those not talking about combat. But the bottom line, Gilfillan said, has always been quality music.

“If the music isn’t good, if the quality isn’t there, then we won’t feature you,” he said. “It has to be radio quality.”

In its first year, the record label saw almost instant success, being featured in Rolling Stone magazine and the New York Times and releasing its first three CDs, which were compilations of hip hop, country and rock music. Today, the label has a database of about 2,000 artists and 200 producers it works with, Gilfillan said. It also maintains a database of recording studios that offer discounts to military members.

Establishing a credible record label is very important to Gilfillan, he said, because he wants to give the military musicians a chance to establish a fan base, which is key to any musician’s success. He said he follows the military’s philosophy that no one person is more important than the organization.

“To the Fallen will always exist,” he said. “The artists might change, I might change, but the label will always exist. So, hopefully the name builds enough prestige where any artist being linked to the name will get a leg up.”

To the Fallen sells its music online at its Web site and that of the Army and Air Force Exchange Service, and physically, at Green Beans Coffee, which has stores in Iraq and Afghanistan. The label is working on several new projects, including a reality TV show based on military musicians.

Another new project Gilfillan and his wife are working on is in creating a nonprofit group that will use musical therapy to help rehabilitate wounded veterans. The group is in early development, but the vision is a place where wounded veterans can learn about the entire musical process, including recording and production, and use it as therapy, Gilfillan said.

“We would kind of just recruit and train our own military musicians and give them a trade and, in return, we would do musical therapy for anyone who needs it,” he said. “I really believe in musical therapy as a viable way to recuperate.”

To the Fallen already donates part of its profits to charities that benefit wounded troops, and once the nonprofit organization is established, money would go into that also, Gilfillan said. But more important than the money, he said, is giving military musicians an opportunity to get their music out there and letting the world hear the quality of music servicemembers create.

“These are not hokey artists,” he said. “This is real music.”

Coldplay Left In The Cold?

Tuesday, March 17th, 2009

by RomBox.com

If a tree falls in the forest, and no one is there to hear it, did it make a sound?

This old teaser of a question comes to mind with the allegations of plagiarism against Coldplay. Before they became a number one selling artist, would anyone accuse them of stealing a song? Now, that almost everyone has heard of them, they sell out concerts and sell millions of albums, the lawyers come chasing like they are some sort-of ambulance.

In July of 2008, a band called Creaky Boards ironically said the Coldplay song Viva La Vida was stolen from their song The Song I Didn’t Write. Later, Creaky Boards admitted the allegations were mostly a publicity stunt.

Then, in December of 2008, Joe Satriani came out to explain why he was suing Coldplay for plagiarism saying the same song Viva La Vida was stolen from his song If I Could Fly.

“I felt like a dagger went right through my heart. It hurt so much,” Joe said. “The second I heard it, I knew it was If I Could Fly.

“Almost immediately, from the minute their song came out, my e-mail box flooded with people going, ‘Have you heard this song by Coldplay? They ripped you off man.’ I mean, I couldn’t tell you how many e-mails I received. Everybody noticed the similarities between the songs. It’s pretty obvious.”

Hmmm… I wonder if Joe stole it from Creaky Boards or Creaky Boards stole it from Joe. Of course, there are many people who would claim the white man stole the blues.

Dump AOL? Time Warner Struggles

Thursday, February 5th, 2009

TIME WARNER INC. REPORTS RESULTS FOR 2008 FULL YEAR AND FOURTH QUARTER

NEW YORK, February 4, 2009 – Time Warner Inc. (NYSE:TWX) today reported financial results for its full year and fourth quarter ended December 31, 2008.

Chairman and Chief Executive Officer Jeff Bewkes said: “We’re making progress at Time Warner toward our goals of becoming a more content-focused company and delivering increasing returns to our stockholders. Last year, our priorities were to rationalize our structure and improve our operating performance. Despite the challenging economic environment, we achieved most of what we set out to do. Moving into 2009, we intend to build on these accomplishments.” Mr. Bewkes continued: “Operationally, we’ll continue to improve the efficiency of our businesses while creating even more of the compelling content that’s becoming increasingly valuable. Structurally, we’ll complete the Time Warner Cable separation soon. At the same time, we’ll strengthen our balance sheet, improve our strategic flexibility and return capital to our stockholders on a consistent
basis. Through these steps, we expect to emerge from this downturn in an even stronger competitive position.”

Full-Year Results
Revenues grew 1% over 2008 to $47.0 billion, reflecting increases at the Company’s Cable and Networks segments. Adjusted Operating Income before Depreciation and Amortization rose 1% to $13.0 billion. The growth
at the Cable, Networks and Filmed Entertainment segments more than offset declines at the Publishing and AOL segments. The Company’s Operating Loss of $16.0 billion reflected a decline of $24.9 billion compared to 2007’s Operating Income of $8.9 billion, due mainly to a $24.2 billion noncash impairment to reduce the carrying value of goodwill and intangible assets. Cash Provided by Operations totaled $10.3 billion and Free Cash Flow amounted to $6.0 billion (reflecting a 46% conversion rate of Adjusted Operating Income before Depreciation and Amortization). As of December 31, 2008, Net Debt was $33.0 billion, down $2.6 billion from $35.6
billion at the end of 2007, due primarily to the generation of Free Cash Flow, offset in part by acquisitions. Diluted Loss per Common Share from Continuing Operations was $3.74 for the year ended December 31, 2008, compared to Diluted Income per Common Share from Continuing Operations of $1.08 in
2007. The current and prior year amounts included certain items affecting comparability that are described in Note 3 to the accompanying consolidated financial statements. The net impact of such items was to decrease the current year results by $4.73 per diluted common share and to increase the prior year results by $0.12 per diluted common share.

The Walt Disney Company Earnings Suffer

Wednesday, February 4th, 2009

by widgette.com

Disney disappointed Wall Street with a 14% drop in profits. Though they did still turn a profit, it was not as large as had been predicted. The company was hit hard by the collapse of Lehman brothers and had to write-off $91 million in bad debt.

BURBANK, Calif. – The Walt Disney Company today reported earnings for its first fiscal quarter ended December 27, 2008. Diluted earnings per share (EPS) for the quarter were $0.45, compared to $0.63 in the prior-year quarter. EPS for the current quarter included a gain on the sale of our investment in two pay television
services in Latin America, which resulted in a benefit of $0.04 per share.

“We faced a challenging first quarter with many of our businesses impacted to various degrees by the economic downturn,” said Robert A. Iger, Disney’s president and CEO. “We are forcefully confronting current circumstance while investing in the great creativity, brands and assets that are Disney’s strengths and keys to its long-term success.”

Post-American Record Labels In Trouble: Sony Sees Shortfall

Saturday, January 24th, 2009

BACKGROUND
Sony kind-of bought American culture. A few years back they purchased BMG. Who was BMG? Well, they were an American company that bought-up a bunch of then famous American record labels, like EPIC and Columbia Records.

Way back before all of this merger activity…
the independent labels brought forth some great music. A large portion of what has become known as “classic rock” is included in this music catalog.

Back then, you’d hear the announcer on a live album, such as REO Speedwagon, step up to the microphone and say, “EPIC recording artist, REO Speedwagon….” And, ther crowd would roar. Then, BMG bought a large number of intellectual property rights, including this EPIC recording. Next, BMG got bought by the bigger fish, SONY.

Their record labels include:
Epic
Jive
Columbia
RCA
Arista
LaFace
Zomba Music Group (including Rough Trade and Pinnacle)
SoSo Def
Legacy
J Records
Red Music Distribution

Here is the history according to Wikipedia:

Sony BMG Music Entertainment began as the result of a 50–50 joint venture between Sony Music Entertainment (part of Sony) and Bertelsmann Music Group (part of Bertelsmann) completed on August 5, 2004. It is one of the Big Four music companies, and includes ownership and distribution of recording labels such as Arista Records, Columbia Records, Epic Records, J Records, Jive Records, RCA Victor Records, RCA Records, Legacy Recordings, Sonic Wave America, and others. The merger affected all Sony Music and Bertelsmann Music Group companies worldwide except for Japan, where it was felt that it would reduce competition in that country’s music industry significantly.

Financial analysts covering the merger anticipated that up to 2,000 jobs would be cut as a result, saving Sony BMG approximately $350 million annually.

The company’s Chief Executive Officer (CEO) is Rolf Schmidt-Holtz, who succeeded Andrew Lack on February 10, 2006. In the first half of 2005, the company’s share of new releases in the United States (US) declined from 33% to 26% according to Nielsen SoundScan. This, and Lack’s negotiation of what some called an “ill-conceived” deal with Bruce Springsteen led to Bertelsmann informing Sony that it would not renew Lack’s contract.

The company signed a content deal with the popular video sharing community YouTube.

On August 5, 2008 Sony Corp. agreed to buy Bertelsmann AG’s 50 percent stake in the music company for $1.2 billion to get full control. The music company will be renamed Sony Music Entertainment Inc. and will become a unit of Sony Corporation of America.[1] This will allow Sony the rights to artists on the current and historic BMG roster and would allow Sony Corporation to better integrate its functions with its Playstation 3 and upcoming new media initiatives.

About.com reported:
Sony BMG Music Entertainment, Inc., is one of the so called “Big Four” record companies, along with EMI,
Warner Music Group, and Atlantic Music Groups. Sony BMG, who holds a 25% share of the music market, was born out of the merger of two music industry giants, Sony Music and BMG Music.

FINANCIAL FORECAST
SONY has been bleeding money. This quarter is another example. Their record company is hardly even mentioned in the financial news. If you go to Sony’s Investor Relations, you must dig deep. However, upon digging deeper, they reveal that operating income is expected to be reduced by 11 billion Yen due to lower-than-expected sales and additional restructuring charges in the music business.